Wallace McTavish talks about…The Gorillaz

Damon Albarn’s journey since his “Baggydom” period with Blur, where he performed at venues like The Bull & Gate in Kentish Town, The Cricketers in Kennington, and The George Robey in Seven Sisters, has been remarkable.

My first encounter with Seymour (who later became Blur) was back in December 1989 at The George Robey in North London, which I believe is now boarded up. My friends’ band was headlining among 11 acts that night, and they were fantastic. But then, there was Seymour—a band that was…well, it’s tough to put into words. They were unique, refreshing, and truly passionate. Admittedly, I was inebriated during their performance, but I vividly remember how Damon was playing the keyboard, and as the song accelerated, chaos ensued with the keyboard being smashed, and Damon confronting Alex (the bass player). Before anyone doubts my account, I confirmed it with others who were there. The excitement surrounding the band made it clear it was just a question of “when,” not “if,” they would get signed.

Next, they played at The Cricketers in Kennington. This pub was a treasure trove of experiences—filled with laughter, brawls, romance, and, occasionally, music. It was common knowledge that Food Record Company intended to sign Seymour. The night’s main act was a talented four-piece called “Brain of Morbius,” who have since disbanded and reformed as “The Bert Schaft Orchestra.” These four fans of Millwall were truly one-of-a-kind (more on BOM later).

Once again, Seymour delivered an electrifying performance with a pop-infused yet gritty sound. I refer to it as pop, although they showcased some of the more distorted tracks from what became their debut album, Leisure.

Ultimately, they got signed, adopted the name Blur, and the journey toward a significant moment in music history began.

However, in the years that followed, something felt off. It’s strange, but once they became a signed band, their sound seemed to lose its initial spark. It’s true; the essence of their earlier music diminished despite being categorized within the Brit-pop genre.

One of my absolute favorites is their second album, “Modern Life is Rubbish,” which features a Mod vibe and several classics. One standout track from this album is “Oily Water.” Yet, whether due to interpersonal issues within the band or excessive partying, the live “energy” felt absent during this time.

With the release of Parklife, everything changed; from that point onwards, they regained their magic, and it became clear that their stage presence matched the brilliance of their material.

As for the Gorillaz…what can one truly express? Clearly, it’s not about the financial gain. It’s a feeling that’s incredibly hard to articulate…and NO, I’m not under the influence this time.

I caught a glimpse of their performance on TV recently, and it looked absolutely stunning, with a sound to match. If you have the chance to see them live, it will be nothing short of spectacular.

Take my advice and check out The Gorillaz. Even if you’re hesitant, just go for it—who knows what Damon’s next endeavor might be or if it will reach our beautiful country, Australia. I had the opportunity to see The Smiths at The Brixton Academy in South London years ago, but due to other commitments, I hesitated.I contemplated it and assumed I would catch them next time. Unfortunately, that opportunity never came, and I regret missing out, with my friends constantly reminding me of it.

This could be our only chance to see The Gorillaz, so make sure to seize it and attend their show.

by Wallace McTavish

AUSTRALIA, NEW ZEALAND AND ASIA DATES